Shakespeare explores how people tend to fall in love with those who appear beautiful to them. People we think we love at one time in our lives can later seem not only unattractive but even repellent. For a time, this attraction to beauty might appear to be love at its most intense, but one of the ideas of the play is that real love is much more than mere physical attraction. At one level, the story of the four young Athenians asserts that although "The course of true love never did run smooth," true love triumphs in the end, bringing happiness and harmony.
Themes are central to understanding A Midsummer Night's Dream as a play and identifying Shakespeare's social and political commentary.
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Love The dominant theme in A Midsummer Night's Dream is love, a subject to which Shakespeare returns constantly in his comedies. Shakespeare explores how people tend to fall in love with those who appear beautiful to them. People we think we love at one time in our lives can later seem not only unattractive but even repellent.
For a time, this attraction to beauty might appear to be love at its most intense, but one of the ideas of the play is that real love is much more than mere physical attraction. At one level, the story of the four young Athenians asserts that although "The course of true love never did run smooth," true love triumphs in the end, bringing happiness and harmony.
At another level, however, the audience is forced to consider what an apparently irrational and whimsical thing love is, at least when experienced between youngsters.
Marriage A Midsummer Night's Dream asserts marriage as the true fulfillment of romantic love. All the damaged relationships have been sorted out at the end of Act IV, and Act V serves to celebrate the whole idea of marriage in a spirit of festive happiness.
The triple wedding at the end of Act IV marks the formal resolution of the romantic problems that have beset the two young couples from the beginning, when Egeus attempted to force his daughter to marry the man he had chosen to be her husband.
The mature and stable love of Theseus and Hippolyta is contrasted with the relationship of Oberon and Titania, whose squabbling has such a negative impact on the world around them. Only when the marriage of the fairy King and Queen is put right can there be peace in their kingdom and the world beyond it.
Appearance and Reality Another of the play's main themes is one to which Shakespeare returns to again and again in his work: The idea that things are not necessarily what they seem to be is at the heart of A Midsummer Night's Dream, and in the very title itself.
A dream is not real, even though it seems so at the time we experience it. Shakespeare consciously creates the plays' dreamlike quality in a number of ways. Characters frequently fall asleep and wake having dreamed "Methought a serpent ate my heart away" ; having had magic worked upon them so that they are in a dreamlike state; or thinking that they have dreamed "I have had a dream, past the wit of man to say what dream it was".
Much of the play takes place at night, and there are references to moonlight, which changes the appearance of what it illuminates. The difference between appearances and reality is also explored through the play-within-a-play, to particularly comic effect.
The "rude mechanicals" completely fail to understand the magic of the theatre, which depends upon the audience being allowed to believe for a time, at least that what is being acted out in front of them is real.
When Snug the Joiner tells the stage audience that he is not really a lion and that they must not be afraid of him, we and they laugh at this stupidity, but we also laugh at ourselves — for we know that he is not just a joiner pretending to be a lion, but an actor pretending to be a joiner pretending to be a lion.
Shakespeare seems to be saying, "We all know that this play isn't real, but you're still sitting there and believing it. The order of Egeus' family is threatened because his daughter wishes to marry against his will; the social order to the state demands that a father's will should be enforced.
When the city dwellers find themselves in the wood, away from their ordered and hierarchical society, order breaks down and relationships are fragmented. But this is comedy, and relationships are more happily rebuilt in the free atmosphere of the wood before the characters return to society.
The row between the Fairy King and Queen results in the order of the seasons being disrupted: Only after Oberon and Titania's reconciliation can all this be put right. Without the restoration of natural order, the happiness of the play's ending could not be complete.Obvious plot links exist between A Midsummer Night's Dream and Romeo and Juliet, and critics disagree about which play was written first.
Not only do both dramas emphasize the conflict between love and social convention, but the plot of "Pyramus and Thisbe," the play-within-the-play of A Midsummer Night's Dream, parallels that of Romeo and Juliet.
A list of important facts about William Shakespeare's A Midsummer Night’s Dream, including setting, climax, protagonists, and antagonists. In A Midsummer Night's Dream, Shakespeare questions the relationship between reality and illusion by asserting that there really are not many clear distinctions between illusion, or fantasy, and.
May 14, · So says Bottom in "William Shakespeare's a Midsummer Night's Dream," and he could be describing the play he occupies. It is an enchanted folly suggesting that romance is a matter of chance, since love is blind; at the right moment we are likely to 3/5. Performance Review of A Midsummer Night's Dream This movie production of Shakespeare's A Midsummer Nights Dream was produced and directed by Kevin Kline in ?.
As far as play to movie adaptations go this one was successful in the fact that it didn't lose much in translation. Brittany Rose Dr. Pulling ENGL 8 March Relationship Between Fantasy and Reality in A Midsummer Night’s Dream In A Midsummer Night’s Dream, Shakespeare easily blurs the lines of reality by inviting the audience into a dream.